September 20th, 2006

Ao dai

Sweep through Hue and the classic grace of women clad in ao dai will surely to make a lasting impression on you. But behind the beauty is a rich history, brimming with cultural significance.

Most Hue women have at least one ao dai of violet colour, a specific characteristic for this ancient capital. Ao dai have been an indispensable part of life for Nguyen Thi Duyen Sanh for 35 years. The 52-year-old former schoolteacher wore an ao dai for the first time at age 16, shortly after Hue was battered by war.

Her ao dai, made of a milky-white raw cloth with a short collar, dangling waist, long sleeves and broad wide flaps, was sewn by hand by her elder sister. It had, of course, all the elements to make it terribly en vogue with girls at her high school.

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September 19th, 2006

Van Phong Bay: Scuba diving paradise on Vietnam’s central coast

Van Phong Bay is a place of superlatives. A report of the Vietnam Maritime Department shows that Van Phong is one of the world’s deepest bays.

United Nations tourism experts have also recognised it as one of Asia’s most perfect sites for eco-tourism, and the bay has been rated as an ideal place for scuba diving.

Its clear, turquoise water and coral reefs are even said to be more beautiful than those at the Hon Mun Nature Reserve in Nha Trang.

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September 18th, 2006

Sidecars go deep in countryside, seaside and mountains

If you’ve already explored the downtown area of Hoi An and other parts of central Vietnam on foot or by cyclo, bicycle or motorcycle, and wonder if there are any other ways to travel the region, consider a sidecar tour for your next trip. Victoria Hoi An Resort and Spa has launched sidecar tours of the countryside, along roads up to the Laos border area and through mountains and rivers of Central Vietnam.

Sidecar tours are for lovers of nature and adventure. Unlike the usual tours whose itineraries often include old houses, temples and shops in Hoi An, the sidecars take you to the quiet country outside of the town. There, you can visit the tomb of the man believed to help build the town in the 16th century, as well as the little-known peaceful Van Duc pagoda in Dong Na Village. Local monks say the present beautifully carved building was constructed about 10 years ago on the land where a wooden pagoda had stood for some 400 years. The pagoda has an old wooden bell stick, a stone gong and numerous ornamental trees.

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September 15th, 2006

Exploring Hoi An on foot

While walking around Hoi An, exploring the small but beautiful town, tourists - even those who visit frequently - find a quiet peace in the unique atmosphere combining elements of Vietnam, China, and Japan. Most remarkable are the views from the ancient houses, reminding visitors of a far-gone past and providing a momentary glimpse of a more subdued and simple time.

It is common knowledge that the ancient houses and pagodas in Hoi An are not to be missed.  Unlike the old homes found in Hanoi, those in Hoi An are reminiscent of Chinese style-dwellings and feature two main gates.  One of the gates is used for trading while the other, which opens to the Hoai River, is used for delivering goods from boats.

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September 14th, 2006

Vong Village

A legend tells that in the autumn of a thousand years ago, there was a torrential rain accompanied by severe winds in Vong Village, on the outskirts of present-day Hanoi . At that time, the paddy was just about to ripen and the storm threatened a big loss. The villagers had to collect and dry the young rice as alternative food to avoid starvation. Unexpectedly, the product had a such a distinct flavour and fragrance that the villagers repeated the process in later years. As a result of the fame of the young rice, this kind of food was brought to other places in the area. Then, it was much sought after by connoisseurs and was one of the village’s tributes to the King of the Ly dynasty (11th-13th century). In Vietnamese, it is called cốm.

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September 11th, 2006

Mid-autumn festival

Mid-autumn festival is on the 15th day of the seventh month of a lunar year. The mid-autumn day is a festival of children. However, adults also take part in the festival activity. Children have a lot of play such as singing and dancing, parading lanterns of moon or star or animal shapes.

Normally, the worship service is held in the day light. Trays of various kinds of cake and fruits for children are arranged for their play in the night.

September 9th, 2006

Phu Vinh Bamboo and Rattan - woven handicraft

Bamboo is ubiquitous in the Vietnamese countryside. Almost all villages are surrounded by bamboo hedges. Images of bamboo are attached to childhood, while a bamboo cane is a good companion to support old people when walking.

From ancient times, traditional bamboo and rattan weaving villages were established and have become famous both at home and abroad. Among them is Phu Vinh craft village in Chuong My district, Ha Tay province.

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September 9th, 2006

Bat Trang pottery village in red fire during 500 years

It is located in the south east of Ha Noi, passing Chuong Duong Bridge turns right and go about 10 km along the dike of red river is Bat Trang village. Bat Trang belongs to Bat Trang Village, Gia Lam District. This is a potteryvillage with a half-millenary historic development. Some decades recently, the vitality of this village is still blown up by the thousands of pottery-kiln on fire day and night.

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September 7th, 2006

The Ceramic Making Village of Phu Lang

Among the dozens of craft villages in the Song Cau area, the cradle of the Song Hong (Red River) civilization, Phu Lang is well known among many ceramic artisans. For years the village seemed unchanged. However, since the Patron Saint of ceramics making, Luu Phong Tu, brought the craft from China to Phu Lang and taught his children and co-villagers to make ceramic articles, dozens of generations of craftsmen have settled in Phu Lang and earned their living by practicing this occupation.
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September 7th, 2006

Bronze casting, flourishing in the imperial city of Hue

0n their first visit to the imperial city of Hue, visitors are often surprised at seeing huge ancient bronze casting items. They include the cauldron in the front yard of Can Chanh Palace, a set of nine urns at Hien Lam Palace, the arc girders on Trung Dao bridge that links Thai Hoa Palace’s yard to Ngo Mon Gate, the nine statues of Genies standing inside Quang Duc and The Nhan gates, the half-length portrait of the patriotic Phan Boi Chau located on the top of Ben Ngu hill, just to name a few. Except for the bust of Phan Boi Chau all other tems were cast from the early 18th to the early 19th centuries.

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